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The Black Panther Returns

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DAVID YARROW

THE BLACK PANTHER RETURNS


Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper

Each is signed, dated and numbered on the front.

Edition Size: 12


Available in the following sizes:


STANDARD:

Print Size: 37" x 50"

Framed Size: 48” x 61" (122 cm x 155 cm)

PLEASE INQUIRE ABOUT CURRENT PRICE


LARGE:

Print Size: 56" x 78"

Framed Size: 67” x 86” (170 cm x 218.5 cm)

PLEASE INQUIRE ABOUT CURRENTPRICE


Framed in David Yarrow's custom black ash frame with white archival mat and UV protective acrylic.


Please contact us at +312.852.8200 for more details about this work.

Or email us at info@hilton-asmus.com

________________________


David Yarrow's Statement about THE BLACK PANTHER RETURNS:


Nikon makes some excellent prime lenses, and the newly released 105mm is now a favourite of mine. After the 58mm, it is the second- most useful lens in my bag when I go to Africa. It is fast and its optical quality is quite magnificent.


This photograph of a black panther required precision in all I could do and then precision in all the camera could do. I shot with 1/1600th of a second, as this cat was moving so quickly toward my cage that I worried any longer shutter speed would risk blurring—and what a picture to screw up by making a lazy setting. I opened the lens wide up to F2.8m to make everything in front and behind the panther’s face out of focus. I think I had three inches of depth of field— just enough. The 45-degree early morning backlight left me with a balancing ISO of 500, which on the D850 is fine. I chose the D850 over the beast that is the D5, as I was happy to sacrifice frames per second for resolution.


That is quite a technical narrative for this photograph, but the reality is that after the word emotion, I think the next most important word for a photographer is maths. Photography may be an art long before it is a science, but maths does matter.


I look at this photograph with the dust, the composition, the backlight, and the energy and I recognize that my skills as a photographer have improved with age. I make pictures rather than take them, and through failure I have a more refined understanding of what I need to do when I go to work. I am not sure I could have made this image in 2010 or even 2016.

​_____________________________________________


DAVID YARROW BIOGRAPHY:


Born Glasgow, Scotland in 1966., David Yarrow took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, he was subsequently asked to cover the Olympics and numerous other sporting events.


Yarrow’s evocative and immersive photography of life on earth is most distinctive and it has earned him an ever growing following among collectors. He has firmly established himself as one of the bestselling fine art photographers in the world, with the limited edition prints regularly selling at over $70,000 and with recent work selling in the six figures at auction.


At the Sotheby’s photography auction in London in May 2017, Yarrow’s iconic image from South Sudan – MANKIND – was sold for $75,000, the highest of the 100 lots in the show. In April of 2018 year David’s image “The Wolf of Main Street” sold for $100,000 and was the highest bid for piece by a living photographer. Most recently “78 Degrees North” went for an even more impressive $110,000.


In 2016, Rizzoli New York published Yarrow’s latest book – Wild Encounters – with a foreword written by HRH The Duke of Cambridge (Prince William). The book was awarded “Art Book of 2017” by Amazon and has already sold out a second print run. All Yarrow’s royalties from the book continue to be donated to Tusk, the leading British NGO that focuses on animal conservation in Africa.


Philanthropy and conservation are central to David Yarrow’s passion to document the animal and human world in a fresh and creative way. In 2019 charitable donations from the sale of David’s images exceeded $2.5 million.


David Yarrow is brand ambassador for Land Rover and UBS Bank; he is European ambassador for Nikon Camera. In December 2017 he shot Tag Heuer LVMH’s latest “Don’t Crack Under Pressure” campaign with model and actress Cara Delevingne. In January 2019, David collaborated with American icon Cindy Crawford.


In September 2019, Rizzoli published Yarrow's 368 page photography monograph, showcasing 150 of David’s strongest images from the past two years. The book features a foreword written by global NFL star Tom Brady and an afterword written by American cultural icon Cindy Crawford. All royalties from this book will be donated to conservation charities Tusk, in the UK and WildAid, in the US.

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