The Wild West II
DAVID YARROW
The Wild West II
Ghost Town, USA 2015
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available in two sizes:
STANDARD:
Print Size: 41" x 61"
Framed Size: 48” x 68" (122 cm x 173 cm)
PLEASE INQUIRE ABOUT PRICE
LARGE:
Print Size: 60" x 90"
Framed Size: 67” x 97” (170 cm x 246 cm)
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Framed in David Yarrow's custom black ash frame with white archival mat and UV protective acrylic.
Please contact us at +312.852.8200 for more details about this work.
Or email us at info@hilton-asmus.com
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David Yarrow's Statement about The Wild West II:
There are many times in this digital age, that a photographer on checking what he or she has on the LCD screen at the back of the camera body, succumbs to an adrenaline rush. Indeed there should be times like this, otherwise perhaps the photographer is not investing enough passion in their art. The joy of photography surely comes as much with the retrospection as it does with the preparation. The bit between is too short – a picture takes 1000/1 second – that is not enough time for accompanying emotion. When I saw this shot and its sharp focus on the back of my Nikon D4s, I gasped.
This staged image was great fun to put together. The gold rush saloon was very much as it was left – next to the the brothel and in a fenced off “final frontier” street . We spent the afternoon opening up the bar , lighting candles and waiting for the light to go down so as to bring out those candles . The facade was as good as it could possibly be and then all that was needed was for the captive mountain lion to cooperate. These extraordinarily beautiful animals have enormous energy and when he was released from deep inside the saloon , he leapt magnificently out of the doorway . Luckily this was exactly what I was told to anticipate and I was ready. We nailed it as a team.
Before its general release , I showed this image to a number of people and the only negative comment I was given was that it was simply too good to be true. The mountain lion is positioned perfectly for the interior candles and the light snow flakes, as well as floating so majestically in the air. I can understand why some might then think that I computer engineered this image and simply pasted the lion into the doorway. That would ruin my career.
As I drove to the Montana airport with my cameras packed away, I knew what I had to do – I had to also release the images in the sequence either side of the shot. There is no way I could make this sequence up. Pixar maybe could , but there is no animation here – it is very real.
I have this shot in my home – I think it is very special.
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DAVID YARROW BIOGRAPHY:
Born Glasgow, Scotland in 1966., David Yarrow took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, he was subsequently asked to cover the Olympics and numerous other sporting events.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and it has earned him an ever growing following among collectors. He has firmly established himself as one of the bestselling fine art photographers in the world, with the limited edition prints regularly selling at over $70,000 and with recent work selling in the six figures at auction.
At the Sotheby’s photography auction in London in May 2017, Yarrow’s iconic image from South Sudan – MANKIND – was sold for $75,000, the highest of the 100 lots in the show. In April of 2018 year David’s image “The Wolf of Main Street” sold for $100,000 and was the highest bid for piece by a living photographer. Most recently “78 Degrees North” went for an even more impressive $110,000.
In 2016, Rizzoli New York published Yarrow’s latest book – Wild Encounters – with a foreword written by HRH The Duke of Cambridge (Prince William). The book was awarded “Art Book of 2017” by Amazon and has already sold out a second print run. All Yarrow’s royalties from the book continue to be donated to Tusk, the leading British NGO that focuses on animal conservation in Africa.
Philanthropy and conservation are central to David Yarrow’s passion to document the animal and human world in a fresh and creative way. In 2019 charitable donations from the sale of David’s images exceeded $2.5 million.
David Yarrow is brand ambassador for Land Rover and UBS Bank; he is European ambassador for Nikon Camera. In December 2017 he shot Tag Heuer LVMH’s latest “Don’t Crack Under Pressure” campaign with model and actress Cara Delevingne. In January 2019, David collaborated with American icon Cindy Crawford.
In September 2019, Rizzoli published Yarrow's 368 page photography monograph, showcasing 150 of David’s strongest images from the past two years. The book features a foreword written by global NFL star Tom Brady and an afterword written by American cultural icon Cindy Crawford. All royalties from this book will be donated to conservation charities Tusk, in the UK and WildAid, in the US.